A Conway Stewart 759 Set in Plum With Black Lines

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The 759 is a wartime pen.  It’s a step down in price from the ever-popular 286.  They are the same length but it might be that the 759 is a little narrower – believe it or not, for once I don’t have a 286 to hand to make the comparison.  I think the 286 nib is bigger and the cap has a less pointed top to the clip screw.  Also, whereas the later 286s had a diamond shield on the lever, the 759 has a round one.  The major difference between the two pens, however, is that whereas the 286 is a celluloid pen, the 759 is made from casein, which is shown in the glowing colours with a depth to them, like looking into a placid stream.

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In this set the 759 is paired with the “Nippy” pencil, which is correct.  They make a handsome pair in their “plum with black lines” livery with gold plated trim.  The box is a little discoloured and shows signs of age but the pink leaf pattern can be clearly seen.
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As the years go by it becomes ever more difficult to find Conway Stewart boxed sets in really good condition.  This one is very good indeed, and I think I struck it lucky!

The Parker 25

Usually I like workhorse pens but the Parker 25 Flighter will have to be the exception that proves the rule golden.

In the 70s Parker thought they had spotted a niche in the market that needed filling: an inexpensive pen that would appeal to the 18 to 30 age group.  They engaged the services of Kenneth Grange, a successful industrial designer, already well known for such things as the Kodak Instamatic camera, Wilkinson Sword razors and the InterCity 125 high-speed train.
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His intention was to create a pen of functional simplicity, inexpensive to produce and well-nigh indestructible.  I think he probably succeeded on all counts but he also managed to make one of the uglier pens there is, especially when capped, showing the barrel that descends rapidly from one diameter to a smaller one.  It can be said that this ensures secure posting of the cap on the barrel, but that problem had been solved rather more elegantly many decades earlier.  Posted, it looks a little better, especially if you don’t look at that stubby piece of metal that passes for an nib.
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On the example I have, and probably on all the rest, the tipping material is almost spherical with the result that the line is exactly the same in all directions and tends towards a soft edge.  In its favour, it can be said that it writes reliably at all times.  After all with as simple a shell for an ink cartridge as this, there’s very little that can go wrong.

Priced low, it sold moderately well until it was discontinued in 1990.  Surprisingly, it has generated some interest among collectors.  The blue and black trim colours are the most common; rarer and more in demand are orange, green and the quite rare white.
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This is one of the few pens I cannot enjoy writing with.  The line is too vague and unvarying.  Grange’s design seems to have removed almost all the attributes that make a pen a pleasure to use and to look at – it has been reduced to a basic writing stick.

Another Swan SM100/59

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I’ve been very lucky with the Italian marble Swans this year.  Quite a few have turned up, most of them going for a reasonable – or at least affordable – price.  This is a Swan Minor with a number one nib.  Certain ranges of Swans seemed to be invariably flexible and these multicoloured pens are among them. This one is fine with a lot of flexibility and instant snap-back.
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There isn’t much more to say about these pens that I haven’t said already, so enough wittering from me.  Enjoy the photographs!

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A Colibri Gold-Filled Pen

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Long, long ago when the world was young and so was I it seemed that almost everybody smoked.  Those cigarettes had to be lit with something, and many of them were lit with Colibri cigarette lighters.  They were middle-range lighters, neither the most expensive but not cheap either, and that seems to be the place in the market occupied by their fountain pens today.  The one I have here turned up in a lot that I bought.  It’s a gold-filled pen, slender and straight sided in a 70s or more likely 80s style.  It closes with a pleasing snap and it has a nice tight clip with a protrusion underneath to grasp the material firmly.  The nib is plated and the pen has a piston-type converter fitted.
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It will post but unless you keep it upright the cap will fall off.  Allowing for that, it’s a very pleasant pen to use.  It isn’t heavy for a metal pen and the black plastic section provides an adequate grip.  The nib which bears the Colibri name is plated and is a very smooth firm medium.
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I have handled quite a lot of modern or modernish pens recently and the differences between them seem to be no more than cosmetic.  This pen could have been made by anyone from China to Europe or America and without the name it would be impossible to tell who the manufacturer was.  That’s true of so many of them.  Apart from the name on the cap lip there is nothing about this pen that would say it is a Colibri.

I can tell a 1950s Swan from a Conway Stewart, Mentmore, Onoto or Burnham at 50 paces.  Put it in my hand blindfold and I’ll have a good and probably successful try at telling you which it is by its shape and feel.  That’s no longer the case with many pens today.  They look and feel alike and are pretty much anonymous.  I don’t say that applies to them all – I haven’t tried them all!
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Having said all that, this is, in its way, an excellent pen.  It does everything as it should and lays a perfect line, neither too wet nor too dry with complete reliability.  It’s unlikely to lead you to experiment with your handwriting or try to improve it but it will write whenever you want it to with all the style, character and elan of a Crystal Bic.

An Interlude

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I’m sorry but pens have had to take a backseat this last week or so.  The weather has been so good and the garden is in need of attention.  We’ve been planting climbing roses, fuchsias, impatiens and goodness knows what else.  Several shrubs are on the way and the ground needs prepared for them.
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Among many other tasks, hubby weather-proofed the garden bench, with the idea that once it dried we could relax there after our many hard labours.  It didn’t work out that way.  My assistant decided that she should test-drive it first.  Having found it to be quite to her taste, she stayed there for the rest of the afternoon.

High Summer Sale

 

IMGP7759editIt’s all this good weather!  In a fit of madness brought on by sunstroke I’ve slashed all prices on the sales site by 20%.  It won’t last long.  We will soon go back to our usual weather regime of rain, wind and overcast skies and I’ll recover my senses, so grab the pens you fancy while you can!

I expect my lunacy will last about a week.

The Times They Are A-Changing.

The wind of change is blowing through my sales site.  To put that in a less overblown way, the work preparatory to changing web hosts and improving the site in the process has reached a critical juncture.  There will come a point, probably over a weekend, when the site is replaced by an “under construction” sign as we go through a series of tests to ensure that the site will work as I intend.  A friend in California has been doing the coding for me, and has been beavering away assiduously for several weeks now.

Some of the transfer procedures have turned out not to be quite as automatic as we had hoped.  Though the “index” pictures for each pen will transfer just fine, all the other pictures are not quite so cooperative and will have to be moved manually.  I need to reduce the amount of stock on the site to avoid being overwhelmed by the amount of work this would require, so I’ll be having a sale with deep price cuts in the near future.  It will, of course, be announced here.

A Bad Pen And A Worse Seller, Chapter 2.

I refer you back to the first post in this series if you haven’t already read it.  This will take a little time so you might want to pop some popcorn.

Well, folks, this saga goes ever on and on – a bit like “The Archers” or maybe “Eastenders”.  Hardly had the pen arrived back at the seller when he re-listed it, as Andy kindly informed me.  I, apparently, am a non-paying, overseas buyer, it would seem.  I’m not sure where the benefit to him in that particular lie lay but it’s perhaps because he cannot breathe without telling a porky.  He did deign to mention the fact that the barrel and cap do not screw together but he omitted the other egregious faults such as the cracked nib and multiply-cracked cap.  If you’re looking for it, it’s 251581507796 on eBay.  My advice is to stay away unless of course you’re the kind who baits bears and tigers and enjoys playing with fire.

Having received my refund of the purchase price and initial postage I was, of course, left out-of-pocket to the tune of the return postage of £3.90.  I’m not keen on having my pocket picked by shady eBay sellers so I left him a negative and the comment, “Did not list damage, cost me £3.90 return postage. Dishonest and argumentative.”  He made a formal request for me to revise the feedback and also sent the message, “I am writing to ask you to revise your feedback.  As you can see I work very hard to keep my feedback 100% positive. The pen was sold as SPARES & REPAIRS and in need of some TLC and I feel the descriptions was fair, and the pictures were a true reflection of the item. Should you not revise your feedback I will have no alternative to to report this to ebay for malicious feedback.  I will send a feedback revision request.”

I replied, “As you will see, I have declined your request.  The feedback is accurate, not malicious, and I am quite prepared to make that argument for eBay if you wish to report me.  The pen’s description was so poor as to deliberately mislead.  It’s all very well using vague terms like “needs TLC” or “for spares or repair” but it’s not anything like an accurate listing.  An accurate listing would have included the fact that the barrel and cap do not screw together (a fault it is impossible to put right), the fact that the nib was cracked on the lower part of the left tine which renders it useless, and the fact that the cap had a crack on one side and a piece missing from the lip on the other. All of these faults are very serious and any one of these faults would cost more than the pen is worth, to have repaired.  Such a description is easy to do and I can see no possible reason for the vague manner in which you described the pen other than to conceal its faults.  I am £3.90 out of pocket because you didn’t describe the pen accurately.  That cannot be allowed to pass without comment.  I am running a business as a pen restorer and I cannot accept additional postal charges which are of no benefit to me, particularly when I am not the one at fault.

I note that you have relisted the pen.  I note also that you have only mentioned the fact that the barrel and cap do not screw together, and you have omitted the other major faults.  I note also that you have blatantly lied about the reason for relisting the pen.  You wrote in red caps, “RELISTED DUE TO NON PAYING OVERSEAS BIDDER.”  I did pay – indeed I paid extra in that I had to return the pen – and I am not an overseas buyer.  What possible motive you had for that bit of fiction I do not know.  By contrast, in our communications, I have been nothing but factual.

While I was writing this, you telephoned me to discuss changing my feedback.  I see no reason to do that.”

While I was penning the above missive the telephone rang and it was – yes, you guessed right – Mr devonshire-sales.  My husband had answered the phone, and recognizing the name given, he admonished the seller to not be rude or unreasonable, to which the seller agreed.  The telephone call was, as you might imagine, an attempt to impress upon me how valuable his feedback was to him and the effort that he put into keeping it at 100% positive.  His unpleasantness in the first eBay message was blamed on “a member of staff”.  He was, he said, unable to change what had gone before but he was anxious to come to an arrangement that would remove the negative.  We did not come to such an arrangement.  Despite his wheedling tone and ingratiating manner, I suspected he was attempting to play upon my emotions since, as we all know, girls can’t be businesswomen, as we are all ruled by our hearts.  He soon discovered otherwise.  I pointed out to him his blatant lie regarding my buyer status in the relisting as well as the fact that he still had not disclosed all the faults of the pen, and he once again blamed that on “a member of staff.”  My husband said later, “Oh… I didn’t do it!  A big boy did it and ran away!”  It really was just like that.

The seller kept saying, “Of course I can’t force you to change your feedback,” as if I needed to be told.  And to his surprise, I didn’t.

This morning, in need of a laugh, I checked the seller’s feedback and mine.  In response to what I had said his reply was, “A PATHETIC AND CHILDISH BUYER, DOES NOT READ LISTINGS, USES BLACKMAIL, AVOID!!” (Shouty caps his, not mine.)  He had already given me positive feedback but had added a follow-up comment of, “VERY RUDE BUYER, USES FEEDBACK BLACKMAIL AS A TACTIC – FINDS FAULT WITH SPARES”.

It was hardly a surprise.  I had already formed the opinion that the seller is a malicious individual who won’t stop until he is stopped.  I reported the matter to eBay – it sounds easy when you say it like that, but what actually happened was that after going through a veritable Encyclopaedia Britannica’s-worth of eBay help files, I finally got hold of a number to phone.  eBay, I have to say, comes out of this with full marks.  They were able to automatically identify my account and the item/seller I wished to complain about.  They made no bones about the fact that calling me a blackmailer was going into forbidden territory and they promptly deleted both of the seller’s comments.  The kind lady also told me that he had been warned for doing this before.

This may be the end of it, and then again it may not.  I’m still waiting for the other shoe to fall, but perhaps Mr devonshire-sales has learned the virtue of caution and called it a day.

Jinhao 950 Noblest Porcelain Dragon

This is another of my “moment of madness” pen purchases.  I bought it for several reasons.  One was that I love blue on white porcelain.  Another was that it was fantastically cheap (an important factor!).  Another reason is that, as Mr Barnum said, “there’s one born every minute”.
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This pen is quite large at 13.8 cm, and it is immensely heavy.  At 54 g, it makes a good paperweight or, at a pinch, a doorstop.  This is explained by the fact that the barrel and cap are porcelain.  It’s not made any lighter by the hunks of metal that adorn the barrel and cap end and give access to the interior to fit cartridges or the supplied screw converter.  These large lumps of metal, as well as depleting the resources of the planet, detract a little from the overall effect of the pen.  The artwork is extremely fine whereas they are chunky – though not badly cast – and it doesn’t all go together well.

You can have these pens with a variety of different artwork.  There are sailboats, Chinese calligraphy, bamboo, shrimp and horse.  The Dragon version appealed to me and I have no regrets, but the horse version is very attractive as well.  This is not the most delicate porcelain you have ever seen nor, of course, is the artwork original, but the very low cost of these pens is nonetheless quite surprising.  The clip bears a shield with what looks like a chariot.  This relates, I am told, to the terracotta Warriors of Xi’an.  The same symbol is stamped on the converter.  Removing the barrel exposes a most businesslike piece of threaded pipe.  The last time I saw quite such a robust assembly was on the fuel line of a diesel engine.  The Chinese lettering on the cap spells out “Dragon”, I believe.
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The pen worked as it should on the first try.  No need to flush or dicker with the nib.  The push on cap fits so firmly that it takes a conscious effort to remove it.  The pen can be posted but given its weight, why would you?  The Jinhao nib is a real surprise: it’s very good indeed!  It’s firm, medium and very smooth without being slippery.  I found the pen pleasing to write with despite its weight.  This was not the nib I expected in a cheap Chinese pen.  It’s comparable with the nibs in many more expensive pens.
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I bought this pen from eBay seller yougainmore for £7.28 which includes postage from Hong Kong.  It arrived in nine days which seems perfectly satisfactory to me.  He is an excellent and reliable seller and provides a great range of Jinhao and other Chinese pens.  Jinhao, it must be said, is a very large cut above the Chinese pens I used to buy a few years ago.

I seem to have bought and written about quite a number of new pens recently.  I think I’ll create a new category to cover them, probably called, “Moments of Madness” because that’s what they are.

A Bad Pen And A Worse Seller

I’ve grumbled here before about sellers who do not disclose faults in a pen.  Here’s an example of one of the worst.  The seller is devonshire-sales, who has feedback of 2302, so cannot make the excuse that he is a novice.  Here’s the description of the pen:

Vintage Conway Stewart No45, Duro Nib 14 ct Gold Nib
A Great pen in need of some TLC
The inside filling sack appears to be damaged
selling as spares or repairs

The “spares or repairs” tag means little or nothing.  Quite a large proportion of the pens I buy include that in the description.  It’s what is known in the trade as “covering your butt” but it does not absolve the seller from the requirement to make clear any faults or damage on the pen.  The seller acknowledges this by commenting on the fact that the sac will need replaced.

So I open a case and say:

I received the Conway Stewart 45 today. There are numerous faults which were not disclosed in the description – the cap does not screw onto the barrel, the end is broken off the lever and the nib is cracked. I would like to return the pen for a full refund, including reimbursement of my return postage as there is no reason why I should be out of pocket over an item that was not described properly.

CS45NAD.

That, to my mind, is a factual description of the state of the pen together with an additional claim for a refund of return postage as the fault lies with the seller.  I didn’t even bother to mention the cracks in the cap.  Quite polite, I would have thought.  The seller has a different opinion:

Hi there, Thanks for your message and demands. The item was fairly described, and selling as spares or repairs as stated. You are welcome to return it for a refund, But you will not be re-imbursed for the return postage as we are not obliged to. We might have though had you been more polite. Best Regards,

So there we are!  I would say that being argumentative and unpleasant on top of having quite deliberately concealed the faults of the pen isn’t conducive to getting good feedback.