Here’s a little wren;
He’d like to sell you a pen.
Or maybe even ten,
And then come back again!

http://www.goodwriterssales.com/

The Wypac 39 is about style; from the shadowed and cursive scripts on the box to the mid-cap clip and the gilded lettering on the barrel, this is a well-designed and executed pen. The surprising thing is that it didn’t catch on and most Wypac models are uncommon, bordering on rare.

Stephen Hull mentions Wypac on page 186 of The English Fountain Pen Industry 1875 – 1975 but only in relation to the stylo. Taylor, James (Braemar) 148 Shooters Hill, London SE3 appears to be either distributor or manufacturer. In a comment in one of the pen discussion boards I see a suggestion that these pens were made by Wyvern but I see no evidence to support that. Wyvern may or may not have made these pens; the coincidence of the first two letters of the words is not enough.

The date associated with these pens is 1949 and it would have been then, or soon after, that Morrison Tweedle was presented with the pen (according to writing inside the lid of the box) for acting as usher at the wedding of Joan and Bill. There can’t be many Morrison Tweedles around and I believe I found him in Liverpool, born in 1921 and, if it’s the same man, still around in 2002 – 04.

It’s a pity that Wypac was not more successful. This model 39 is a handsome and robust pen in mixed pale and darker grey. The “M Tweedle” on the barrel enhances, rather than detracts from the pen. It carries history.

I do love the Leverless! This particular example has no number and is of the 1930s. It measures 12.6 cm capped and has retained the little gold plated Swan on the cap top. It has picked up a few scratches but the gold plating is good on the cap band though a little worn on the clip. The nib is medium, stubbed and soft but only very slightly flexible.

Even when the Leverlesses I buy are said to be restored, I open them up to take a look. Usually, they have been fitted with too narrow a sac, as if they were button or lever fillers. The Leverless needs a sac that fills the barrel. A smaller sac will slide past the paddle and the sac will not fill well if at all. Leverlesses are my favourite repair and it’s worth recounting the process for those who don’t have the Marshall and Oldfield book, though it’s well worth getting it.

The Leverless must be fully disassembled and when the remains of the old sac have been removed, the nib and feed must be drifted out of the section and all components cleaned. The sac is shellacked to the section. For some sizes of Leverless a necked sac is best because it requires a large sac to fill the barrel but the section peg is quite small. If a necked sac isn’t available I apply shellac to the peg in the usual way and bind the sac to the peg with fine thread. The assembly needs to be left for a couple of hours to ensure that it is properly cured. The thread can be carefully removed at this stage though I often leave it there. I use a very slender dowel to push the sac fully into the barrel. Then the feed and nib can be fitted.

This pen has a size 20 sac and takes a good fill of ink. The turn-button is a little stiff, as it should be. A loose turn-button can lead to unfortunate accidents!

The Leverless was one of Mabie Todd’s most popular Swans for many years and it is an excellent filling system, keeping the hands away from the ink. During the years of its production, repairmen knew how to replace the sac properly. It is only in recent years that poor repair methods have harmed its reputation. Repaired properly it holds very little less than a lever or button filler – probably more than those lever fillers that employ the inefficient J-bar.

I’ve written about the Dickinson Croxley before. The search box above will discover my musings, for what they’re worth. Dickinsons found some very pretty celluloid patterns and I think this pink and black is one of the best.

Croxley nibs are very good, often flexible to some degree. This one is a soft fine which means that the nib flexes very easily but doesn’t give line variation. Soft nibs make extended periods of writing very comfortable, acting like the suspension of a car.

One peculiarity I have noticed is that the clip screws vary a lot. The threads are often long. Sometimes there is a gap of a centimetre or two between the threads and the top of the screw, other times the threads run all the way to the top. If you require to remove the clip screw for one reason or another, the length of the threading can be a little annoying. Often they are frozen solid with dried ink. There doesn’t seem to be any good reason for the threads to be so long, or for there to be such variety in them.

That’s the worst thing I can say about the Croxley. They are very well made and are among the best of the post-war British pens. Though a more tapered version was produced too, this very traditional-looking pen was very popular and sold in large numbers. It’s practicality over fashion!

Thank you all for your kind messages.  The operation went well and we got home last night.  Glad to be back in our own surroundings and the pen stuff can begin again.

My husband has an operation this week and I will be spending all my time at the hospital which is more than 100 miles away.   We’ll be home later in the week and I’ll pick up the reins then.  Enjoy your pens.

I’ve written about National Security and the mysterious British Carbon Papers several times before. The search box above will find them if you’re interested.

One of the pens I wrote about was almost identical to this one: russet and black marble, a clip devoid of gold plating if it ever was there, button filler with black hard rubber blind cap and clip screw. It only differed in having one cap ring whereas this one has two.

This pen had not been well looked after and was very dirty outside and in. The clip had some corrosion and the button was totally black. The pressure bar, though it still had plenty of spring, was rusty. I have a deoxidiser which works in the ultrasonic cleaner and it took care of these problems. Despite these difficulties the pen is clearly well-made. I am as certain as I can be that it is a product of Langs of Liverpool.

Measuring 11.6 cm this is a shorter than average pen. It has a Phillips of Oxford 14 carat gold nib, most likely a historic replacement. I love the subtlety of the dark pattern and the smiling lion with his pen.